300-page artist’s monograph documenting the second decade of practice by one of Western Australia’s leading contemporary artists. This limited-edition monograph chronicles studio-based works created during Nicholls’ second decade of practice, as well as his expansive curatorial projects engaging with iconic heritage sites. In addition to Nicholls’ own writing about his work, the book includes a foreword by Eugenio Viola (Curator, Museum of Modern Art of Bogotá), a newly-commissioned essay by Glenn Iseger-Pilkington (Curator, Fremantle Arts Centre), and writing published from 2009-2019 by a number of Australian writers including Robert Cook, Theo Costantino, Macushla Robinson, and others. The book is a companion volume to his previous limited-edition monograph Love Andrew Nicholls - Drawn Works, 1998-2008, which chronicled the first decade of his career.