Via Appia Antica (after Piranesi), (detail), archival ink pen on watercolour paper, 45 x 400 cm, 2016-2018
Apollo and the Muses, archival ink pen on watercolour paper, 80 x 120 cm, 2020-2021. City of Bunbury art collection.
The Four Seasons: Spring, archival ink pen on watercolour paper, 114 x 140 cm, 2019-2020. Commissioned by Lawrence Wilson Art Gallery, University of Western Australia for Here & Now ‘20: Perfectly Queer.
The Four Seasons: Summer, archival ink pen on watercolour paper, 114 x 140 cm, 2019-2020. Commissioned by Lawrence Wilson Art Gallery, University of Western Australia for Here & Now ‘20: Perfectly Queer.
The Four Seasons: Autumn, archival ink pen on watercolour paper, 114 x 140 cm, 2019-2020. Commissioned by Lawrence Wilson Art Gallery, University of Western Australia for Here & Now ‘20: Perfectly Queer.
The Four Seasons: Winter, archival ink pen on watercolour paper, 114 x 140 cm, 2019-2020. Commissioned by Lawrence Wilson Art Gallery, University of Western Australia for Here & Now ‘20: Perfectly Queer.
Joondalup Gothic, archival ink pen on watercolour paper, 57 x 76 cm, 2020. City of Joondalup Collection.
Icarus (portrait of Thomas Worrell), archival ink pen on watercolour paper, 121 x 80 cm, 2019
Via Appia Antica (after Piranesi), archival ink pen on watercolour paper, 45 x 400 cm, 2016-2018. State Art Collection, Art Gallery of Western Australia.
Via Appia Antica (after Piranesi), archival ink pen on watercolour paper; polished coloured and uncoloured superwhite porcelain, approx 80 x 430 x 30 cm, 2016-2018. State Art Collection, Art Gallery of Western Australia.
Photograph by Bo Wong, c/o the Art Gallery of Western Australia.
The Last Judgement, (detail), archival ink pen on watercolour paper, 12 panel, each 76 x 57 cm, able to be rearranged into 2 alternative configurations, 2016-2018. Artbank Collection.
The Last Judgement, archival ink pen on watercolour paper, 12 panel, each 76 x 57 cm, able to be rearranged into 2 alternative configurations, 2016-2018. Artbank Collection.
The Last Judgement, (alternative configuration), archival ink pen on watercolour paper, 12 panel, each 76 x 57 cm, able to be rearranged into 2 alternative configurations, 2016-2018. Artbank Collection.
The Last Judgement (detail), archival ink pen on watercolour paper, 12 panel, each 76 x 57 cm, able to be rearranged into 2 alternative configurations, 2016-2018. Artbank Collection.
The Last Judgement, 2016-2018, as displayed in Hyperkulturemia at the Art Gallery of Western Australia, 2018. Photograph by Rebecca Mansell c/o the Art Gallery of Western Australia.
Gorgon (portrait of David Charles Collins), archival ink pen on watercolour paper, 76 x 57 cm, 2017-2018
Thy decay is still impregnate with divinity, archival ink pen on watercolour paper, 57 x 76 cm, 2017
Centaur (portrait of David Charles Collins), archival ink pen on watercolour paper, 106 x 67 cm, 2015-2017
Venus and Adonis Frieze, archival ink pen on watercolour paper, 10 panels, each 76 x 57 cm, 2008-2015 (3 of 10 panels shown)
Venus and Adonis Frieze, archival ink pen on watercolour paper, 10 panels, each 76 x 57 cm, 2008-2015 (2 of 10 panels shown)
Via Australiano Antica #1, archival ink pen on watercolour paper, 106 x 77 cm, 2015. Kedumba Collection of Australian Drawings.
Photograph by Bradley Hammond, c/o the Kedumba Collection of Australian Drawings, 2015.
Untitled, archival ink pen on watercolour paper, 106 x 77 cm, 2015
Self Portrait with Magical and Medicinal Plants, archival ink pen on watercolour paper, 3 panels, each 76 x 57 cm, 2012-2014
Quod fuimus, estis; quod sumus, vos eritis, archival ink pen on watercolour paper, 76 x 1340 cm, 2014, image c/o Lawrence Wilson Art Gallery
Quod fuimus, estis; quod sumus, vos eritis (detail), archival ink pen on watercolour paper, 76 x 1340 cm, 2014, image c/o Lawrence Wilson Art Gallery
Quod fuimus, estis; quod sumus, vos eritis (detail), archival ink pen on watercolour paper, 76 x 1340 cm, 2014, image c/o Lawrence Wilson Art Gallery
Quod fuimus, estis; quod sumus, vos eritis (detail), archival ink pen on watercolour paper, 76 x 1340 cm, 2014, image c/o Lawrence Wilson Art Gallery
Edge of the World, archival ink pen on watercolour paper, 49 x 56.5cm, 2013
The Drowners, archival ink pen on watercolour paper, 102.5 x 66 cm, 2013
A Coral Room (put your hand over the side of the boat and what do you feel?), archival ink pen on watercolour paper, 9 panels able to be rearranged into 2 alternate configurations, each 76 x 57 cm, 2008-09
A Coral Room (put your hand over the side of the boat and what do you feel?) (alternate configuration), archival ink pen on watercolour paper, 9 panels able to be rearranged into 2 alternate configurations, each 76 x 57 cm, 2008-09
Bottom Feeder, archival ink pen on watercolour paper, 3 panels, each 57 x 76 cm, 2008-13, image by Carolyn Karnovsky, 2013
Chimera, archival ink pen and metallic paint on watercolour paper, 76 x 57 cm, 2011
Willow, archival ink pen and metallic paint on watercolour paper, 76 x 57 cm, 2011
Charybdis, ink pen on watercolour paper, 57 x 38 cm, 2011
Lilith (portrait of Josie Reed), archival ink pen on watercolour paper, 3 panels, each 57 x 76 cm, 2009-2013
Behemoth (portrait of Little Fish), archival ink pen on watercolour paper, 76 x 57 cm, 2010
Lucifer, archival ink pen on watercolour paper, 76 x 57 cm, 2009
Goddamitt!, archival ink pen on watercolour paper, 8 panels, able to be rearranged in 2 alternate configurations, each 76 x 57 cm, 2006
Goddamitt! (alternate configuration), archival ink pen on watercolour paper, 8 panels, able to be rearranged in 2 alternate configurations, each 76 x 57 cm, 2006
Some Demons, archival ink pen on watercolour paper, 57 x 76 cm, 2005
Wild Man, ink pen on watercolour paper, 6 panels, each 84 x 58 cm, 2007
White Australians (because I reckon I love you mate), archival ink pen on watercolour paper, 9 panels, able to be rearranged into 2 alternate configurations, each 76 x 57 cm, 2006
White Australians (because I reckon I love you mate), (alternate configuration), archival ink pen on watercolour paper, 9 panels, able to be rearranged into 2 alternate configurations, each 76 x 57 cm, 2006
White Australians, ink pen on watercolour paper, 84 x 58 cm, 2004
Dream Lover (Portrait of Kurt Stefano) - until then, I'll go to sleep and dream again... ink pen on paper, 58 x 84 cm, 2006
Out in the Streets (Portrait of Kurt Stefano) - He don't hang around with the gang no more..., ink pen and collage on paper, 58 x 84 cm, 2006
Vanitas, ink pen on paper, 84 x 58 cm, 2004-2005
Ray, ink pen on paper, 84 x 58 cm, 2004
Allegory, ink pen on paper, 2 panels, each 84 x 58 cm, 2003
Formless, Love, ink pen and watercolour on paper, 58 x 84 cm, 2001